Hagia Irene or Hagia Eirene (Greek: Ἁγία Εἰρήνη, "Holy
Peace", Turkish: Aya İrini), often erroneously rendered in English as St
Irene, is a former Eastern Orthodox church located in the outer
courtyard
Hagia Irene,,Istanbul Museums ,turky
great image about Hagia Irene,,Istanbul
image about Hagia Irene,,Istanbul Museums ,turky
Amazing image about Hagia Irene,,Istanbul Museums ,turky
Hagia Irene or Hagia Eirene (Greek: Ἁγία Εἰρήνη, "Holy Peace", Turkish: Aya İrini), often erroneously rendered in English as St Irene, is a former Eastern Orthodox church located in the outer courtyard of Topkapı Palace in Istanbul, Turkey. It is open as a museum every day except Monday but requires special permission for admission. Contents
Hagia Irene,Istanbul , Museums in Istanbul ,turky
History Church
The
building reputedly stands on the site of a pre-Christian temple. It
ranks, in fact, as the first church built in Constantinople. Roman
emperor Constantine I commissioned the first Hagia Irene church in the
4th century. From May to July 381 the First Council of Constantinople
took place in the church. It was burned down during the Nika revolt in
532. Emperor Justinian I had the church restored in 548. It served as
the church of the Patriarchate before Hagia Sophia was completed in 360.
Hagia Irene,Istanbul , Museums in Istanbul ,turky
Heavily damaged by an earthquake in the 8th century, it dates in its present form largely from the repairs made at that time. The Emperor Constantine V ordered the restorations and had its interior decorated with mosaics and frescoes. Hagia Irene is the only example of a Byzantine church in the city which retains its original atrium. A great cross in the half-dome above the main narthex, where the image of the Pantocrator or Theotokos was usually placed in Byzantine tradition, is a unique vestige of the Iconoclastic art; presumably it replaced earlier decoration. The church was enlarged during the 11th and 12th centuries.
vidio about Hagia Irene,Istanbul , Museums in Istanbul ,turky
The church measures 100 m × 32 m. It has the typical form of a Roman basilica, consisting of a nave and two aisles, divided by columns and pillars. It comprises a main space, a narthex, galleries and an atrium. The dome is 15m wide and 35m high and has twenty windows. Arsenal Ottoman helmet, with markings of Saint-Irene arsenal, Constantinople, circa 1520. Musée de l'Armée.
After the conquest of Constantinople in 1453 by Mehmed II, the church was enclosed inside the walls of the Topkapi palace. The Janissaries used the church as an armoury. It was also used as a warehouse for war booty. During the reign of Sultan Ahmet III (1703–1730) it was converted into a weapons museum.
It was repaired by Field Marshal Ahmed Fethi Paşa in 1846 and became the first Turkish museum. It was used as the Military Museum from 1908 until 1978 when it was turned over to the Turkish Ministry of Culture. Concert hall
Today,
the museum serves mainly as a concert hall for classical music performances, due to its extraordinary acoustic characteristics and impressive atmosphere. Many of the concerts of the Istanbul International Music Festival have been held here every summer since 1980.
In 2000, the Turkish haute couture designer Faruk Saraç produced a special show here. A collection of 700 designed pieces inspired by the Ottoman sultans, including the robes of 36 sultans ranging from Osman Gazi, the founder of the Ottoman Empire to the last sultan, Mehmed VI, were on display. The show was accompanied by music and the story of the sultans' lives and demonstrations of Ottoman-era dancing. Literature
Akşit I., "Hagia Sophia";Akşit Kültür ve Turizm Yayincilik, 2005, ISBN 975-7039-07-1 Alexander Kazhdan (ed.), The Oxford Dictionary of Byzantium, 3 vols., Oxford University Press, 1991 (ISBN 0195046528), s. v. Irene, Church of Saint, vol. 2, 1008–1009 Krautheimer, Richard (1984). Early Christian and Byzantine Architecture. New Haven, CT: Yale University Press. ISBN 978-0-300-05294-7.
Necipoğlu, Gülru (1991). Architecture, ceremonial, and power: The Topkapi Palace in the fifteenth and sixteenth centuries. Cambridge, Massachusetts: The MIT Press. p. 336 pages. ISBN 0-262-14050-0. Fanny Davis. Palace of Topkapi in Istanbul. 1970. ASIN B000NP64Z2
Tayyare
Şehitleri Abidesi), set in Fatih district of city, Turkey, could be a
memorial dedicated to the primary troopers of the Ottoman aviation
squadrons to be killed on the wing accidents.[1] In Islam, one use of
the term "martyrs" is as Associate in Nursing honorific for Muslims UN
agency have died fighting defensive their country.
The monument was commissioned right once the consecutive crash of 2
monoplanes in Palestine, killing 3 of the four military aviators UN
agency were on Associate in Nursing expedition flight from city to
Alexandria in early 1914. The monument, in kind of a column, was
inaugurated in 1916. A military memorial ceremony is command ahead of
the monument per annum on Martyrs' Day.[1]
great picture Aviation Martyrs' Monument,Museums in Istanbul - Turkey
History
Following the warfare, the govt. of the Ottoman Empire launched a
prestigious expedition across the empire's holdings. A multiple-leg
flight of 4 air force monoplanes from city to Cairo and Alexandria in
Egypt, it might cowl a distance of nearly two,500 km (1,600 mi). The
planes left city from the Aviation faculty in Hagios Stefanos (modern
Yeşilköy)[2] on February eight manned by 2 aviators every.[3]
amazing Pictures Aviation Martyrs' Monument,Museums in Istanbul -
The first team's craft
,
a Blériot XI, crashed on February twenty seven on the flight leg from
national capital to capital of Israel at the geographical area close to
the ocean of Galilee, killing pilot Navy Lieutenant (Ottoman Turkish:
Bahriye Yüzbaşısı) Fethi Bey and his navigator, Artillery lieutenant
(Ottoman Turkish: Topçu Mülazım-ı Ula) Sadık Bey. The second team's
craft, a Deperdussin B, crashed on March eleven into the Mediterranean
Sea off Jaffa shortly once take-off. Artillery lieutenant (Ottoman
Turkish: Topçu Mülazım-ı Saniye) Nuri Bey was killed whereas the
opposite skilled worker, İsmail Hahkı Bey, survived the accident.[3]
vidio about Aviation Martyrs' Monument,Museums in Istanbul - Turkey
All 3 victims were inhumed in national capital. A monument was erected at the crash website close to the ocean of Galilee.[3] Design and construction
The government determined
to create a monument within the empire's capital to the commemorate the primary martyrs of the Ottoman military aviation. the positioning chosen for the memorial was a park in Istanbul's Fatih district, ahead of the then hall (currently the city fireplace Department's main building), shortly from the Valens conduit. The memorial's stone was ordered on April two, 1914 by Minister of War Enver authority.[2] Its construction lasted 2 years and it had been inaugurated in 1916.[1] Designed by the famed Turkish creator Vedat Tek, the round shape columnar monument options a broken prime fabricated from white marble. The broken prime symbolizes the flight mission's incomplete standing. A branch of laurel fabricated from bronze is fastened on the lower half the column. The monument is concerning seven.50 m (24.6 ft) high.[1] an oversized bronze medallion is hooked up on every of the 2 opposite sides of the marble base on that the column stands. On one medallion square measure inscribed the names and therefore the officer ranks of the victims. On the opposite square measure delineated a airplane, the Beyazıt Tower and therefore the landscape of city is that the kind of a relief. Commemoration day
The first commemoration at the monument was persevered its gap day in 1916. However, till 1926 no celebration in the least befell.
Following the inspiration of the Turkish aeronautic Association (Turkish: Türk Tayyare Cemiyeti) on February sixteen, 1925, by Mustafa Kemal Atatürk, twenty seventh Jan was accepted because the commemoration day for aviation martyrs in honor of pilot Major (Turkish: Binbaşı) Mehmet Fazıl Bey and noncommissioned officer (Turkish: Deniz Astsubay) Mehmet Emin Bey, UN agency were killed on Jan twenty seven, 1923 throughout a coaching flight. As a part of the commemoration, all flights in Turkey's airspace were to stop for one hour at high noon thereon commemoration day. Celebrations for remembrance on Jan twenty seven lasted till 1935.]
As Jan is one in all the coldest months in Turkey, commemorations may hardly be command. From 1935 the commemoration day was rescheduled for could fifteen, the day on that commissioned military officer (Ottoman Turkish: Miralay) Fethi Bey, journalist Hasan Tahsin and 9 people were killed in 1919 throughout the Occupation of İzmir by Greek forces. In 2002,
the commemoration day for the aviation martyrs was united with the a lot of general Martyrs' national holiday by finally ever-changing its date to March eighteen, that marks the 1915 Battle of March eighteen within the military campaign. Since then, aviation martyrs square measure commemorated beside all different victims UN agency lost their lives within the service of the state.
may be a defensive structure placed in Stamboul, Turkey on the Anatolian (Asian) aspect of the Bosporus, that conjointly offers its name to the quarter around it. it had been designed between 1393 and 1394 by the Ottoman ruler Bayezid I "The Thunderbolt" as a part of his preparations for the Second Ottoman military blockade of Stambul, that happened in 1395.
Anadoluhisarı,Museums in Istanbul ,Anadoluhisarı,turky
Anadoluhisarı, created on a region of seven,000 m²,
is
set at the narrowest purpose with 660 m of the Bosporus strait and next
to a creek named Göksu (ancient Greek name: Aretòs). The Fatih ruler
Mehmet Bridge, the second bridge spanning Bosporus, is found simply
north of the defensive structure. Another defensive structure,
Rumelihisarı, was designed between 1451 and 1452 by ruler Mehmed II
opposite of Anadoluhisarı on the eu aspect so as to get absolute
management over the ocean traffic of the Bosporus Strait, that was
particularly important for the city in Galata, World Health Organization
were allied with the Byzantines and had colonies within the sea like
Caffa, Sinop and Amasra.
great picture Anadoluhisarı,Museums in Istanbul ,Anadoluhisarı,turky
Anadoluhisarı was erected
as a watch fort. it's a twenty five m high, quadratic main tower among the walls of Associate in Nursing irregular pentagon with 5 watchtowers at the corners. there's a house of God within the defensive structure. it's the oldest Turkish branch of knowledge structure inbuilt Stamboul. The defensive structure was named "Güzelce Hisar" in historical documents. ruler Mehmed II strengthened the defensive structure with a two m thick wall around it, that had 3 watchtowers. Some extension buildings like warehouse and homes were intercalary moreover. attributable to changes created within the past, it not retains its original look. Following the conquest of Stambul, it served as a military jail.
vidio about Anadoluhisarı,Museums in Istanbul ,Anadoluhisarı,turky
The Turkish Ministry of Culture
fixed up the location in 1991 - 1993. Today, this little fort creates a picturesque look with the previous wood homes leaning to its walls and its surroundings. Anadoluhisarı may be a repository (historical site), however not hospitable public.
Resim ve Heykel Müzesi (The metropolis Painting and Sculpture repository (IRHM) has the excellence of being the primary repository within the field of painting and sculpture in Turkey. it absolutely was inagurated on Gregorian calendar month twenty, 1937 when the chamber of the prince within the Dolmabahçe Palace was allotted for the institution of the repository.
collection of the museum :
The core assortment of the deposit consists of copies of paintings happiness to renowned European painters. cardinal paintings by Turkish painters painted for Meclis-i Mebusan (Chamber of Deputies) by renowned European and Turkish painters so as to exhibit at the Muze-i Humayun (Museum of the Empire) that was placed on Dolmabahçe Street. additionally to the gathering known as “Elvah-ı Nakşiye (Besetted Paintings),”,the first assortment of Constantinople Painting and Sculpture deposit (İRHM) with gifts and lots of others, has enormously strong the Museum’s holdings.
Painting & Sculpture Museum Includes :
as well as the quite a pair of,000 paintings and four hundred sculptures from each the nineteenth and twentieth centuries, square measure chronologically listed on show for art lovers. within the depository, there square measure collections of paintings by Turkish masters, like Şeker Ahmet Paşa, Giritli Hüseyin, Süleyman Seyyid, Ahmet Şekür, Hüseyin Zekai Paşa, Osman Hamdi (the founding father of the Fine Arts Academy) further because the work of the sculpture, Yervant Osgan, WHO was one among the primary academics of the Academy. This depository begins the event within the field of painting and sculpture in Turkey. Moreover, works of acquainted painters, like Abidin Dino and Bedri Rahmi Eyüboğlu, further because the works of the many renowned painters and sculptures square measure exhibited within the depository.
History of Painting & Sculpture Museum:
At first sight, being the extension of the advanced of the Dolmabahçe Palace with rhetorical design that within the 3 stories historic depository fancy with Baroque and Roccoco ornaments and animal figures on the ceiling, that was placed within the walls close the Dolmabahçe Palace,
The depository was closed attributable to a fireplace hazard between the years of 1976 and 1980. After 1980, several new names were extra to the art society with“ The Exhibitions of latest Artists” that was organized with the depository of Painting and Sculpture (İRHM) and “The Association of Painting and Sculpture Museums.”
The Basilica Cistern (Turkish: Yerebatan Sarayı - "Sunken Palace", or Yerebatan Sarnıcı - "Sunken Cistern"), is that the largest of many hundred ancient cisterns that lie to a lower place town of city (formerly Constantinople), Turkey. The cistern, settled five hundred feet (150 m) southwest of the Hagia Sophia on the historical solid ground of Sarayburnu, was inbuilt the sixth century throughout the reign of Byzantine Emperor Justinian I.
History of Basilica Cistern ,
(Yerebatan Sarayi) :
The name of this subterranean structure derives from an oversized public sq. on the primary Hill of metropolis, the Stoa Basilica, below that it had been originally made. Before being regenerate to a cistern, a good Basilica stood in its place, designed between the third and fourth centuries throughout the first Roman Age as an advertisement, legal and creative centre.The basilica was reconstructed by Ilius once a fireplace in 476.
Ancient texts indicated that the basilica contained gardens, enclosed by a colonnade and facing the Hagia Sophia.[consistent with ancient historians, Emperor Constantine designed a structure that was later remodeled and enlarged by Emperor Justinian once the Nika riots of 532, that ruined town.
Historical texts claim that seven,000 slaves were concerned within the construction of the cistern.The enlarged cistern provided a water filtration system for the nice Palace of metropolis and alternative buildings on the primary Hill, and continued to produce water to the Topkapi Palace once the Ottoman conquest in 1453 and into contemporary world.
Medusa column bases :
Located within the northwest corner of the cistern, the bases of 2 columns use blocks engraved with the visage of Medusa. The origin of the 2 heads is unknown, although it's thought that the heads were delivered to the cistern when being far from a building of the late Roman amount. there's no written proof that implies they were used as column pedestals antecedently. Tradition has it that the blocks area unit oriented sideways and inverted so as to negate the ability of the Gorgons' gaze,[citation needed] but it's wide thought that one was placed sideways solely to be the right size to support the column. The means up|the other way up} Medusa was placed that way specifically as a result of she would be a similar height right facet up.[citation needed]
The Great Palace Mosaic deposit (Turkish: Büyük Saray Mozaikleri Müzesi), is found near Sultanahmet sq. in Stamboul, Turkey, at Arasta Bazaar. The deposit homes mosaics from the Byzantine amount, unearthed at the location of the good Palace of urban center.
History ofMosaics Museum istanbul:
The repository hosts the mosaics wont to enhance the pavement of a colonnade court, geological dating probably to the reign of Byzantine emperor Justinian I (r. 527-565). it had been uncovered by Turkey archaeologists from the University of St Andrews in Scotland throughout in depth excavations at the Arasta Bazaar in ruler Ahmet sq. in 1935-1938 and 1951-1954. the realm shaped a part of the south-western nice Palace, and therefore the excavations discovered an outsized colonnade curtilage, with a surface of 1872 m², entirely embellished with mosaics. it had been at now that the Austrian Academy of Sciences, supervised by professor. Dr. Werner Jobst, undertook to review and preserve the notable palace mosaic and to hold out extra archaeologic examinations (1983-1997) inside the scope of a cooperative project with the board of directors General of Monuments and Museums in Turkey.
Advised on visiting web site on ordinal Feb 2012 that closed for 6 months for renovation.
great palace mosaic museum:
It takes place between Soltanahmet place of worship and Hagia Sophia deposit. Byzantine Empire’s 1500-year-old mosaics area unit exhibited therein deposit. Those mosaics that area unit still protected, includes ninety themes , comprises a hundred and fifty individuals and animals figures. The mosaics’ themes area unit concerning ; looking scenes , fighting animals, free animals , village life , children , myths , exotic creatures.
Mosaics Museum - video :
A nice very little depository not that faraway from Hagia Sophia and therefore the Blue house of prayer. it's liberated to enter and there are not any tour guides.
Opened its doors in December 2004 due to Eczacibasi family, this can be the primary and solely trendy Arts deposit in city. It's housed at restored recent docks in Karaköy district facing Topkapi Palace, with an expensive library, exhibitions, photograph gallery, sculpture yard, movie show, restaurant and memento look. One will notice during this non-public deposit virtually everything on trendy Turkish Arts.
The Building :
The seeds for the İstanbul fashionable project were planted in 1987, throughout the first International modern expo, glorious these days because the International Stamboul Biennial. intended by the interest shown within the event and also the dynamism it contributed to the Stamboul art scene, Dr. Nejat F. Eczacıbaşı launched into the project to endow Stamboul with a permanent deposit of up to date Art.
After a protracted quest, the Feshane, a former nineteenth century textile manufactory on the Golden Horn, was regenerate into a deposit of up to date Art. though the building housed the third International Stamboul Biennial in 1991, the Project ne'er reached its long run goal.
From then on, numerous establishments and people wanted to ascertain a deposit of contemporary Art in Stamboul. sadly, these initiatives failing for lack of appropriate area or attributable to difficulties in getting artworks to make the core of the permanent assortment.
The fate of the Project modified all over again in 2003, once the fourth warehouse on the Galata pier, close to the Mimar Sinan Academy of Fine Arts, served because the main venue for the eighth Stamboul Biennial. when Prime Minister Recep Tayyip Erdoğan gave his approval for the permanent use of the location, the Project’s main obstacle was removed. The 8,000 centare dry loading warehouse, in hand by the Turkish Maritime Organization, was remodeled into a contemporary deposit building with all corresponding functions.
Description of Modern Arts Museum istanbul :
The Modern options exhibition area on 2 floors: work from the museum's permanent assortment, further as a store and eating house, area unit set on the highest floor, whereas temporary exhibitions area unit set on the lower floor, beside a cinema and humanities library.
The Sadberk Hanım Museum (Turkish: Sadberk Hanım Müzesi) is a private museum located at the Bosporus in Büyükdere neighborhood of Sarıyer district in Istanbul, Turkey, which was established by the Vehbi Koç Foundation in memory of Vehbi Koç’s deceased wife Sadberk. The museum is open every day except Wednesdays.
Sadberk Hanım Museum - outside :
The building was purchased by the Koç family in 1950, and was used by them as a summerhouse until the decision to convert it into a museum was taken in 1978. The conversion into a museum was carried out between 1978 and 1980 according to a restoration project that had been prepared by Sedat Hakkı Eldem. It opened its doors to the public on October 14, 1980 with the Sadberk Koç collection on display.
History of Sadberk Hanım Museum :
Sadberk Hanım Museum was founded by Koç family in memory of Vehbi Koç’s decedent wife Sadberk Hanım. Sadberk Hanım Museum is consist of two apart buildings. One of them is a structure which was built in nineteenth century, and called Azaryan Yalısı" while the other one is a structure which was built in twentieth century, and called “Sevgi Gönül Binası” (Sevgi Gönül Wing).
The Azaryan Yalı was purchased by Koç family, in 1950 and used as a summer house for years. The building had been restored between 1978 and 1980 years by a project which was belong to Sedat Hakkı Eldem. After the restoration was completed, it was opened as a museum on October 14th 1980 to exhibit the collection of Sadberk Koç.
The other building was purchased by Koç family to exhibit the Kocabaş works which were added to Sadberk Koç’s collection in 1983. The building was also restored by a project which had been prepared by İbrahim Yalçın. Restoration of the building was completed in two years and opened on October 24, 1988 as a museum with a name of “Sevgi Gönül Binası” (Sevgi Gönül Wing).
The Istanbul Museum of Calligraphy houses one of the richest collections of calligraphy art in the world. It is situated inside a former medrese (religious school) which formed part of the Beyazit Mosque complex. The building, which later also served as the local library, surrounds a pretty courtyard.
Calligraphy Museum - overview :
The Islamic art of calligraphy was born out of artists' desires to express themselves under a religion where the production of images of people and animals was forbidden. During the years of the Ottoman Empire, calligraphy flourished and many of the most beautiful examples of Islamic calligraphy were produced during this time period.
The Istanbul Museum of Calligraphy houses a large collection of medieval calligraphy including Korans, wall hangings, tools, official documents and 'tugra'- seals containing the signature of sultans.
Calligraphy Circle :
Also on display are examples of calligraphy from Sultans Abdülmecid, Ahmed III and Mahmut II- who were experienced calligraphy artists - and a Koran reading desk which belonged to Sultan Abdulhamid II. There are also examples of calligraphy on stone, glass and tile.
video Calligraphy Museum :
Frommer's Review:
The fine art of calligraphy was the most important one in the Ottoman Empire. Sultans Beyazit II and Ahmet III were themselves masters in the art, and some of the more elaborate imperial seals (or tugra) were set to paper by their hands. Dedicated entirely to this art, the Museum of Calligraphy is the only one of its kind, housed in what was originally the medrese of the Beyazit complex, and in the 20th century, a municipal library. The museum exhibits illuminated Korans from all over the empire, tugras, official documents in elaborate script, and various tools of the trade, all displayed in the evocative workrooms set around a porticoed courtyard. The museum was closed for restoration on my last visit, so call ahead before going.
The Turkish and Islamic Arts Museum (Turkish: Türk ve İslam Eserleri Müzesi) is a museum located in Sultanahmet Square in Eminönü district of Istanbul, Turkey. Constructed in 1524, the building was formerly the palace of İbrahim Pasha, who was the first grand vizier to Suleiman the Magnificent.
The collection includes notable examples of Islamic calligraphy, tiles, and rugs as well as ethnographic displays on various cultures in Turkey, particularly nomad groups. These displays recreate rooms or dwellings from different time periods and regions.
Description of Turkish and Islamic Arts Museum,,,
The museum is housed in the restored Palace of Ibrahim Pasha, a sumptuous residence built by Sultan Süleyman the Magnificent's Grand Vezir (and intimate friend) Ibrahim Pasha (served 1523-1536). What you see is only part of the original structure, whose foundations date from about 1500.
Ibrahim Pasha was such a close friend and confidant of Süleyman's, and had such influence over the monarch, that the sultan's wife, Roxelana (Hürrem) was worried. When Ibrahim supported the candidacy of Prince Mustafa to be successor to the throne, rather than that of Roxelana's son Selim, Roxelana acted.
view Turkish and Islamic Arts Museum:
The best art was religious art during the Ottoman Empire, just as it was in medieval Europe.
Turkish carpets, illuminated Kur'ans, calligraphy (at which the Ottomans excelled), carved and inlaid wood, glass, porcelain and stone are well displayed..
video Turkish and Islamic Arts Museum :
Istanbul's Museum of Turkish and Islamic Art (Türk-Islam Eserleri Müzesi), on the Hippodrome across from the Blue Mosque (map), is a treasure-house of beautiful objects from the Ottoman (14th to 20th centuries), Seljuk (11th to 13th centuries), and earlier periods beginning in the 8th century.
House where Ataturk lived and worked before the War of Independence during his stay in Istanbul between 1918 and 1919, originally was built in 1908 and restored by the Municipality of Istanbul in 1943, opening to the public in 1981. Top floor of this building was reserved to His mother Zubeyde Hanim and His sister Makbule, meanwhile Ataturk used middle floor for himself and lower floor for His loyal officer.
About Atatürk Museum :
Atatürk Museum (Turkish: Atatürk Müzesi) is a historic house museum dedicated to the life of Mustafa Kemal Atatürk, founder of the Republic of Turkey. It is located in the district of Şişli, on the European side of Istanbul, Turkey.
It is located in a three-storey house built in 1908. Atatürk rented the house after returning from the Syrian Front and lived there with his mother and sister. He lived there until May 1919 when he went to Samsun. The building was bought in 1928 by the Istanbul Municipality and Atatürk's belongings were stored there. The house was converted to museum and opened to visitors on June 15, 1942 as Atatürk Revolution Museum.
Newly-acquired Ataturk Memorabilia in the Rahmi M. Koç Museum in Istanbul
Many may visit the Museum simply to relive the novel, others to visualize it in object, others to commemorate the author’s legacy, and others to satisfy a curiosity for the absurd. But like any museum, there are two types of visitors for whom this very site exists. The first are those who come to reaffirm, commemorate, and satisfy their faith in what is, and the second are those who come to deconstruct and unsettle the orderly. The prior see the museum as a compliment to what exists, reifying it and the latter see it as an corruption of what is. From the little that has been written so far about the museum, it appears even the Turkish press has embraced the prior. It is seen as one in a long string of museums worldwide dedicated to the celebration of writers such as the Dickens House and Museum, the Musee de Victor Hugo in Paris (built in 1903), and the Alexander Pope grotto-turned-museum. However, I have a nagging suspicion that while the majority of visitors to this museum will be those who admire and embrace, Pamuk’s intention is to deconstruct and gently satirize history—individual and collective—in modern Turkey.
Ataturk Museum,Osmanbey,Istanbul
Nothing that special but if you fancy a short trip on the metro from Taksim, then this does it.
Ataturk lived here with his mother after returning from the Syrian front.
He held secret meetings here before going to Samsun to start the war of independence.
Contains pictures and personal belongings.
Pammakaristos Church, also known as the Church of Theotokos Pammakaristos (Greek: Θεοτόκος ἡ Παμμακάριστος, "All-Blessed Mother of God"), in 1591 converted into a mosque and known as Fethiye Mosque (Turkish: Fethiye Camii, "mosque of the conquest") and today partly a museum, is one of the most famous Byzantine churches in Istanbul, Turkey. The parekklesion, besides being one of the most important examples of Constantinople's Palaiologan architecture, has the largest amount of Byzantine mosaics in Istanbul after the Hagia Sophia and Chora Church.
Location of Fethiye Mosque (Pammakaristos Church) Museum
The building is located in the Çarşamba neighbourhood within the district of Fatih inside the walled city of Istanbul. Theotokos Pammakaristos overlooks the Golden Horn.
History of Fethiye Mosque (Pammakaristos Church) Museum
According to most scholars, the church was built between the eleventh and the twelfth centuries. Many historians and archaeologists believe that the original structure of the church can be attributed to Michael VII Ducas (1071–1078), others put its foundation in the Comnenian period. It has also been suggested by the Swiss scholar and Byzantinist Ernest Mamboury that the original building was erected in the 8th century.
A parekklesion (a side chapel) was added to the south side of the church in the early Palaiologan period, and dedicated to Christos ho Logos (Greek: Christ the Word).[3] The small shrine was erected by Martha Glabas in memory of her late husband, the protostrator Michael Doukas Glabas Tarchaneiotes, a general of Andronikos II Palaiologos, shortly after the year 1310. An elegant dedicatory inscription to Christ, written by the poet Manuel Philes, runs along the parekklesion, both outside and inside it.
The main church was also renovated at the same time, as the study of the Templon has shown. Following the fall of Constantinople, the seat of the Greek Orthodox Patriarchate was first moved to the Church of the Holy Apostles, and in 1456 to the Pammakaristos Church, which remained as the seat of the Patriarchate until 1587.
Five years later, the Ottoman Sultan Murad III converted the church into a mosque and renamed it in honor of his Fetih (Conquest) of Georgia and Azerbaijan, hence the name Fethiye Camii. To accommodate the requirements of prayer, most of the interior walls were removed in order to create a larger inner space.
The complex, which was neglected, has been restored in 1949 by the Byzantine Institute of America and Dumbarton Oaks, which brought it back to its pristine splendor. While the main building remains a mosque, the parekklesion has since then been a museum.
Architecture and decoration in Fethiye Mosque (Pammakaristos Church) Museum
The Comnenian building was a church with a main aisle and two deambulatoria,[6] and had three apses, and a narthex to the west. The masonry was typical of the Comnenian period, and adopted the technique of the recessed brick. In this technique, alternate coarses of brick are mounted behind the line of the wall, and are plunged in a mortar's bed, which can still be seen in the cistern underneath and in the church.[1] The transformation of the church into a mosque changed the original building greatly. The arcades connecting the main aisle with the deambulatoria were removed and were replaced with broad archways to open up the nave. The three apses were removed too. In their place toward the east a great domed room was built, obliquely with respect to the orientation of the building.
On the other side, the parekklesion represents the most beautiful building of the late Byzantine period in Constantinople. It has the typical cross-in-square plan with five domes, but the proportion between vertical and horizontal dimensions is much bigger than usual (although not so big as in the contemporary Byzantine churches built in the Balkans).
Although the inner colored marble revetment largely disappeared, the shrine still contains the restored remains of a number of mosaic panels, which, while not as varied and well-preserved as those of the Chora Church, serve as another resource for understanding late Byzantine art.
A representation of the Pantocrator, surrounded by the prophets of the Old Testament (Moses, Jeremiah, Zephaniah, Micah, Joel, Zechariah, Obadiah, Habakkuk, Jonah, Malachi, Ezekiel, and Isaiah) is under the main dome. On the apse, Christ Hyperagathos is shown with Virgin Mary and St. John the Baptist. The Baptism of Christ survives intact to the right side of the dome.
St. Savior in Chora (Kariye) Museum , museum in itanbul , turkey
The Chora Church, or Kariye Museum in Turkish, has one of the best examples of Byzantine mosaic art. The museum today is located at Kariye neighborhood near Edirnekapi city walls over the Golden Horn. Originally a Christian church, it was converted into a mosque after the Conquest of Constantinople by the Ottomans, and after the Republic it became a museum.
view of St. Savior in Chora (Kariye) Museum , museum in itanbul , turkey,,
The church was originally built in the early 5th century outside the first wall of Constantinople, as the name Chora means "countryside" in Greek. It's original name was St. Saviour in Chora and it was a small monastery just outside of the city. Later on, it was destroyed by earthquakes and abandoned for many centuries until the area was inhabited after the city walls were enlarged thus the neighborhood remained within Constantinople.
Chora church was rebuilt in the 11th century by Maria Ducaena, the mother-in-law of Alexius I Comnenus. It was restored in the 12th century by Isaac Comnenus after some earthquakes and finally rebuilt again by Theodore Metochites, responsible of the Byzantine treasury and the art at that time, in the 14th century. Most of the mosaics and frescos we can admire today are from this last restoration.
byzantine chora museum:
History of St. Savior in Chora (Kariye) Museum , museum in itanbul , turkey
The first church on this site was built in the 4th century as part of a monastery complex outside the city walls of Constantinople. This is the reason for the "in Chora" part of its name - chora zonton means "in the country" in Greek. The present building dates from the 11th century.
The interior was restored and richly decorated with mosaics and frescoes in the early 14th century by Theodore Metokhites, Grand Logothete of the Treasury.
When the church was converted into a mosque in the 16th century, the Byzantine mosaics were covered in plaster. This protected them for several centuries. They were first uncovered in the 19th century, but the government ordered that those in the prayer hall section of the mosque be re-covered.
American archaeologists uncovered the mosaics for good during World War II and the church-turned-mosque became a secular museum in 1947.
When the church was converted into a mosque in the 16th century, the mosaics were plastered over. A 19th-century architect uncovered the mosaics but was ordered by the government to re-cover those in the section of the prayer hall. American archaeologists Whittemore and Underwood finally uncovered these masterpieces during World War II, and although the Chora became a museum in 1947, it is still often referred to as the Kariye Camii.
video St. Savior in Chora (Kariye) Museum , museum in itanbul , turkey
The Kariye Museum has the best Byzantine mosaics in Istanbul, similar to the ones in Ravenna - Italy. Many mosaics in the narthex and inner narthex describe the life of Jesus Christ and Virgin Mary, with citations from the Old and New Testaments. In the Paraclesion, which is the side corridor, you can view great frescoes such as the Resurrection (Anastasis) or the last judgment (Deesis). In the nave, the Dormition of the Virgin (Koimesis) mosaic is impressive. During the visit of the church you're not allowed to use flash while taking photographs.
